|
|

Is
one of those mythic and always suspect creatures known as "The Hollywood
Screenwriter" [which everyone knows is made up because actors invent their
lines on the spot]. A native Californian [and we all know those don't
exist either] she was raised by cat women at Madame Slotsky's Home For
Wayward Girls until the day she sassed Madame Slotsky one too many times
and was shipped south of the Mason Dixon Line to learn "ladies don't spit."
Recipient of a Nicholl Fellowship in Screenwriting from the Academy of
Motion Pictures Arts & Sciences and winner of an Austin Heart of Film
Screenwriting Award, Max's original script Excess
Baggage was purchased by Columbia Pictures, immediately rewritten
by 7 dwarves, 5 development executives, 2 actors and 1 partridge in a
pear tree, and launched on unsuspecting audiences in 1997. Since dubbed
"Red Hot Adams" by Daily Variety she has worked with Columbia Pictures,
Hollywood Pictures, Touchstone Pictures, Universal Pictures, Walt Disney
Studios, and Tri-Star Pictures on myriad projects "in development." And
is now lobbying her congressman for a "return of fire" medal [something
sparkly would be nice]. Her adaptation, The Ladykillers, was released
in 2004 [and she lost the damn arbitration on that one]. She is the founder
of two international online screenwriting groups, Left Door and 5150,
is a former AFI Alumni reader and WGA online mentor and is a current Nicholl
Fellowships in Screenwriting reader/judge. Her non-filmic writing credits
include journalism, short fiction, essays, theatre, humor, and radio.
She is the author of The Screenwriter's Survival
Guide Or Guerrilla Meeting Tactics and Other Acts of War [Warner
Books] and is the 2010 recipient of the University of Utah College of
Fine Arts Distinguished Alumni Award.
You
are too important a woman to have a website that silly.
~ diana fuller
But, but, but.... ~ max adams
Max
is repped by Harley Copen
ICM
310.550.4000
|
|